At this point I think I've tried it on 3 or 4 occasions and I can never get it to work. My favorite of this bunch is the Beta 52 - Very round, thick, punchy sound but placement is key and you have to play with it a little to get good beater snap. To begin with, the locking mechanism is very simple to use and prevents the … reminds me of the smiley face eq a cheap stereo has to compensate for the lack quality sound. Ottimizzato per sorgenti sonore a bassa frequenza con un'elevata dinamica, dotato di un’alta capacità di gestire pressioni sonore elevate, la caratteristica polare supercardioide del Beta 52A offre il massimo isolamento I had no idea that an RE20 were used on kick drums until I saw the list of drum mic's used on Metallica's ...And Justice For All. Get FREE 2-day shipping and free lifetime tech support with your order. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix. Markus Sanarko 114,920 views 1:47 Shure SM 58 подделка, как отличить от оригинала? Our Virginia-based experts can help you find the best gear. works great, +1 have to bump myself back up because it does work on kick, maybe not the one you were using. 12 reasons to shop with us | Crutchfield B2B Free 2-day shipping to Arizona See details. 91 gives you as much click as you could ever want. Great sounding mic on kick. I have put so many different mics on so many different bass drums that my opinion is that it has so much more to do with the drum and the drummer than anything else. Man, huge sound. gets that nice round kick sound. calm down man. We had a rental company bring over 10 different kick mics lat year and I still likes the Beta52 best. because the d6 and d112 are cheap, you can buy both... Own all 3 and say D112 all the way!!!! ok i seriously cannot find a freaking thread comparing the two head to head! D112 or Beyer opus 99. The D112 is meh on kick. must try the AKG D12E and not to be confused with the D112, i've seen a lot of pictures of matt tong's set with the beta 52 on kick. lost of awesome info here! Of course, it depends on the drum, style of music, etc. the d112 gets a good mix between the beater and the resonance inside the kick, and the D6 is great for getting primarily a beater sound. yeah, i guess i just don´t like the d112 because i heard it too often and am borded a bit by its sound by now. One of the others might be preferencial for some styles, drums. Here is a link so you can hear it for yourselves! I use the Beta 52 a lot. I'd say the D112 is far less scooped. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. I'm considering the Audix. The Beta 52A will make your bass BOOM instead of getting lost in a low end swamp. Kick drum mic shootout - 11 mics head to head! Its supercardioid pattern aids isolation and it can handle up to 174dB SPL. beta52 is good. it's boomy, not alot of "click" even when placed inside. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. I've only used the D6 and D112 for studio. The frequency response is 20Hz to 10kHz, and the mic is built to withstand the daily abuse of road work. Love the SM7 but never liked it on kick. for metal kicks probably a d112 would be the best bet although i wouldn't use a d112 on any other kind of music than metal. Shure Sm7b is very versatile and I use it on vocals A LOT. FREE Shipping by Amazon. I tend to gravitate to the Beta 52, although it does depend on the kit and the drummer. Try combining it with a LDC front of kick - you'll see. flor tom mic: Audio-Technica mb 2K,Sennheiser e845, Shure Beta 58A, Beta 52, Superlux PRA-228,218A - Duration: 1:42. Shure Beta 58a Microphone Bundle with Mic Boom Stand and XLR Cable bundle. The Shure BETA 52®A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. Whichever Shure microphone you grab, you will experience the same high quality audio performance that the industry has trusted for decades. Get it as soon as Fri, Oct 16. I got a really great tone once with a D4 inside and a D6 on the front head. If you want more of a natural sound then go with the sm7b and do some EQing on your own. What are the characteristics of the Beta 52A? This week I actually used a Beta 91 for click, Beta 52 in hole, and Mojave 201 on head. 4.7 out of 5 stars 741. But for metal I would usually go for the D6. I use my D6 for floor tom, which is what I used to use the D112 for. fffffffffffffffuuuuuuuuuu 30 views and no replies. Wich ones do you favour the most and why? ...apart from the MOST wanted, the D12(E)! Crutchfield: Audio, video, and more. When you buy products through links across our site, we may earn an affiliate commission. When you buy products through links across our site, we may earn an affiliate commission. language Americas/USA América Latina Americas/USA Argentina Asia Pacific Belgium Brasil Chile 中国 Colombia Deutschland España Europe France Italia 日本 México Middle East and Africa Nederland Österreich Perú Polska Russia Switzerland … Only 5 left in stock - order soon. It provides superb attack and “punch,” and delivers studio quality sound even at extremely high sound pressure levels. I guarantee you'll actually want to dial down the click. http://www.youtube.com/watch?v=cCoE_...N6vBef&index=2, Pictures Of Mic'ed Up Drum Kits In The Studio, AKG d112 or Shure beta 52a for live kick drum, Already have an account? I only keep the D112 around now cause there's another engineer that tracks here alot, and that's what he uses for kick. The D112 is way more mellow than the D6 and is good for slower songs. oh and hey, the B52 ISN'T JUST FOR KICK!! Also sounds nice on guitar cab and even sometimes on acoustic guitar if room treatment isn't too great and you don't really need a really extended high-end. It depends what kind of sound you're going for. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.

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